Contemporary artist Paola Madormo lives and works in Venice.

For Paola Madormo, the spatial vision of the world of forms is like a forest in which all things are made up of consciousness, but that can only grow when they encounter the living experience of a new sensation, a sound, a ray of light, a drop of water and countless other recurring elements that take ‘into being’ astonishment and body. She observes ‘the unexplored’ as she encounters new known realities, i.e. the work made of unusual material but often interpreting known forms. The Known is seen as dialogue. Sculpture in the classical sense frees itself of its being a statue, losing its weight, its consistency, it is brought to the first moment of its analysis, in the delicacy of the hypothesis of a future work. The metal gives back the wavelength of each perceived colour, where’the material part creates form through the net, which leads the observer’s gaze to the design of fractals, to the molecular chains that make up the elements around us, while the empty part devotes itself to the suspension of space, trying to dissolve in the universality of the whole that surrounds us.